Category: women's movement

Democrat Representative Bart Stupak’s end run around the leadership during the House vote on health care reform stunned me, but it shouldn’t have.

All week long I’d been getting emails from Planned Parenthood and the National Abortion Rights Action League (NARAL) that access to abortion was threatened, but Speaker Nancy Pelosi was and is a supporter of reproductive freedom, and it never occurred to me that she’d have to choose between passing health care reform and compromising women’s right to decide what to about unplanned pregnancy.

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Once upon a time, not so many years ago, the term great American writer was understood to mean great white male American writer. There was some diversity among them. They might be Protestant, Catholic, Jewish, agnostic or atheist. They might be well-born or from humble backgrounds. They were usually heterosexual, and often quite flamboyantly so, but if they were not, they kept their sexual habits to themselves in fear of being considered, well, girlish.

Women wrote, to be sure, but men decided what would be published and other men decided who would hear about it. Gone with the Wind and To Kill a Mockingbird might be wildly popular, but their authors, Margaret Mitchell and Harper Lee, were considered one-book wonders. African American men, even geniuses like James Baldwin and Ralph Ellison, might have been granted a distant corner of the literary establishment, but they were read by serious white men, whereas their female counterparts were the real invisible people. Zora Neale Hurston, who wrote four novels during the Harlem Renaissance, died in a welfare hotel in Florida where she had supplemented her income by cleaning people’s houses.

The second wave of feminism that hit the United States in the 1970s gave women new determination to be heard, to write about what interested them, and to read what other women were saying about the female condition.

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I’m looking for a postcard. There’s no picture on the front; it’s one of those government-issue ones with the address on the front and the back left blank for a message. I think there was a stamp, but I’m not sure.

The message was typed on a manual typewriter. In it, the writer explained why I, an editor in educational publishing, could not delete or use a euphemism for a four-letter word from one of his short stories

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